Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Xie An
Sake and Vanzetti's Passion

ID: 56719

Xie An Sake and Vanzetti's Passion
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Xie An Sake and Vanzetti's Passion


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Xie An

Xie An (320-385), courtesy name Anshi .formally Duke Wenjing of Luling , was a Jin Dynasty (265-420) statesman who, despite his lack of military ability, led Jin through a major crisis -- attacks by Former Qin. His line became one of the two most honored during the subsequent Southern Dynasties -- the other being Wang Dao's line -- and in the minds of the people no less honored than imperial clans.  Related Paintings of Xie An :. | St Francis of Assisi at Prayer sg | Albert, Prince Consort | Black Lodge | Le Singe sculpteur | bogserbat vid chatou |
Related Artists:
Charles-Amable Lenoir
(22 October 1860 - 1926) was a French painter. Like his mentor, William-Adolphe Bouguereau, he was an academic painter and painted realistic portraits as well as mythological and religious scenes. His artistic career was so prestigious that he won the Prix de Rome twice and was awarded the Legion d'honneur. Lenoir was born in Châtellaillon, a small town just outside of La Rochelle. His mother was a seamstress and his father was a customs officer. When he was young, his father was reassigned and the family moved to Fouras. He did not start out in life as an artist, but instead began his education at a teachers' college in La Rochelle. Upon graduation, he worked as a teacher and supervisor at the lycee in Rochefort. In August 1883 he was accepted into the École des Beaux-Arts de Paris, he also joined the Academie Julian where he was a student of William-Adolphe Bouguereau and Tony Robert-Fleury. Lenoir made his artistic debut at the Salon in 1887 and continued to exhibit there until his death. He was quickly noticed in the art world, and in 1889 won the Second Prix de Rome for his painting, Jesus et le paralytique (Jesus and a Sick Man with Palsy), and he won the First Prix de Rome the following year for Le Reniement de Saint Pierre (The Denial of St. Peter).His awards did not stop with the Prix de Rome; works shown at the Salons also won prizes, and he received a third-class medal in 1892 for Le Grenier a Vingt Ans (The Garret at twenty years) and a second-class medal in 1896 for La Mort de Sappho (The Death of Sappho).
Master of Hoogstraeten
Flemish Northern Renaissance Painter, active ca.1490-1530
Simon Marmion
(born c. 1425 at Amiens, France, died 24 or 25 December 1489, Valenciennes) was a French or Burgundian Early Netherlandish painter of panels and illuminated manuscripts. Marmion lived and worked in what is now France but for most of his lifetime was part of the Duchy of Burgundy in the Southern Netherlands. Like many painters of his era, Marmion came from a family of artists, and both his father, Jean, and his brother Mille were painters. Marmion is recorded as working at Amiens between 1449 to 1454, and then at Valenciennes from 1458 until his death. He was patronized by Philip the Good, the Duke of Burgundy from 1454 when he was one of several artists called to Lille to work on the decorations for the Feast of the Pheasant. He was employed by several members of the ducal family, including Charles the Bold and Margaret of York. He was called "the prince of illuminators" by a near contemporary. Three years after his death his widow, Jeanne de Quaroube, married his pupil, the painter Jan Provoost, who on her death inherited the considerable Marmion estate. Although best known for his illuminated manuscripts, Marmion also produced portraits and other paintings, altarpieces, and decorative work. A famous double-sided altarpiece with several Scenes from the life of St Bertin is in the Gemäldegalerie, Berlin (with two sections in the National Gallery (London). There is a Mass of Saint Gregory in Toronto, and a Lamentation of Christ in the Metropolitan Museum of Art,three works in Philadelphia, and several others elsewhere. Stylistically he lies between his French and Flemish contemporaries, with a Flemish innovation in composition and landscape. His perspective is usually technically sound, but the proportions of his figures are often awkward, and their poses rather stiff.






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